Feb 4, 2018
In this Quackcast I thought we'd chat about Emma Clare's great and thoughtful topic of webcomic origin stories: Basically, what was happening to make you start your webcomic on DD, all that stuff in your life back when you first began posting… Emma's newsposts are a great read and they made us all think back to how we began. Pit, Tantz and I have a long talk about our comicing origins. What were YOU doing when you started webcomics? What made you begin? This week Gunwallace has given us the theme to NanoCritters. It's a minimalist white expanse, dotted with mysterious little marks of sound. What do they mean, what do they represent, is it code? Read NanoCritters to find out! Also included in the Quackcast are extracts from a lovely Starwars themed rap that Tantz's Greek students performed in English.
Topics and Show Notes
Topics and shownotes
Red Banner - http://www.theduckwebcomics.com/news/2018/jan/30/featured-comic-red-banner/
Emma Clare's webcomic origin's newspost - http://www.theduckwebcomics.com/news/2018/feb/02/the-origin-stories-of-webcomics-part-3/
Origin newspost 2 - http://www.theduckwebcomics.com/news/2018/jan/25/the-origin-stories-of-webcomics-part-2/
Origin newspost 1 - http://www.theduckwebcomics.com/news/2018/jan/18/the-origin-stories-of-webcomics-part-1/
last page of putrid meat! 11 years!!! - http://www.theduckwebcomics.com/user/PIT_FACE/
Master The Tiger - http://www.theduckwebcomics.com/Master_the_Tiger
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
PitFace - http://www.theduckwebcomics.com/user/PIT_FACE/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean
NanoCritters - http://www.theduckwebcomics.com/NanoCritters/, by NanoCritters, rated E.
Jan 29, 2018
Covers are a very important part of books and comics! They entice us to pick them up and read them, they encourage us to BUY them. But how much are they really needed for webcomics? You hardly ever look at the front cover and what you really want in a webcomic is the meat of it, not the packaging, they're not waiting on racks outside a shop… and yet we still make them anyway, not just for the front cover but also chapter covers as well! This was the idea behind a thread Pitface came up with in the DD forums and we thought it was an interesting topic. Personally I love drawing covers, they give me a chance to break out of the comic format and be all arty and play with title text. How about you? What's your position on webcomic covers? This week Gunwallce has given us the theme to Kawaiidolia: A dreamy journey into a world of green shade, damp, fresh air, and dapple golden sunlight. This is a pretty track , full of beauty.
May 1, 2017
We titled this one “Cafecast” on the suggestion of Pitface! Instead of chatting about a subject, we took ourselves off to a metaphorical cafe and all started drawing, working on sketches, our latest comic pages, and chatting as we did. We're all comic artists after all and we talk about doing comic all the time, it's only fair that we actually WORK on them from time to time! Gotta “walk the walk”, not just “talk the talk”. We were also inspired by the video Pitface made of herself drawing her latest page of Putrid Meat for the 10th anniversary (vid linked in the notes). Watch it while you listen to this! So this is just a nice, informal chat from us as we draw. Next week we'll get back to more structured stuff when banes and I talk about how to do comedy and how to make comedic characters in comics. The music for this week by Gunwallace is for Half Hearted Headache. The theme fits very well with the comic title! It brings to mind a desolate wasteland in a post apocalyptic techno future, haunted by cyborgs and the hulks of burnt out military battle robots… Which is not what the comic is about but that’s what it paints for me: Jean Michel Jarre, meets knight Rider!
Oct 10, 2016
This is the Awkardcast! Another take on the sexcast idea but this time we're looking at sex and sexual situations in strictly NON-adult comics. Sex performs a very different role in non-adult comics… You have a much wider audience with comics at the rating, but there are things you can not show, so of course you use sex for other reasons than the way you do in an adult rated comic. In an adult comic you can show all details of the entire act, all the genitalia in all their glistening, gory, gooey, hairy splendour, going in and out and around here and there and all over the place! Oh my! In Mature comics and bellow though, you simply can't, though you CAN have some non-sexual full frontal nudity in Mature comics and you can show bottoms in Teen rated comics. The ratings are similar to what you have with film ratings. In adult comics, like adult film, sex acts are more of the focus, they can still have a story but the sex acts are supposed to be enjoyed in their own right. In non-adult comics the sex has other purposes- subtle titillation is a part of it, comedy, teasing the viewer, furthering the plot, a culmination of a relationship or the establishment of one, etc- there's generally always another purpose to it, unlike adult comics where there sometimes is but doesn't need to be. And unlike adult film there's not much purpose to softcore non-adult rated porn in comics. That type of censored porn is done in film in order to get a wider audience on media that will otherwise not show porn, but on the net porn it's super easy to come by so there's not much reason to do softcore. There are a lot of challenges entailed in depicting non-adult rated porn! Certain positions don't work in well with the limits on nudity (we talk about this in the cast), but there are tricks you can use; symbolism (popping champagne corks, trains going into tunnels etc), strategic positioning of sheets, clever camera angles, fading out before the act and fading in again after, characters with mussed hair and uneven clothing, using dialogue to refer to what they just did, “off-screen” shenanigans, or shenanigans in the dark etc, it can be a lot of fun! Have a listen to how Tantz, I and Banes tackle the idea. The music by Gunwallace for his week was Firefly cross! A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing!
May 15, 2016
What makes the “meat” of a story? What makes you fall in love with it, keep coming back for more watches or reads or whatever? I contend it has nothing to do with conflict or culminations or climaxes, those are merely generic structural plottings that are pretty much the same format no matter what story you read- you know they're coming and you know what form they'll take and once they're over it's not really that significant anymore; “re-playability” is low, they're just too tied in with the story structure to have much life away from it in your mind. What keeps me coming back to a story and fall in love with it are the Characters, exploring the world in which they exist, and the development that occurs during the story. Gunwallace provides us a theme to CTV Revamped, the new version of Charby the Vampirate! Good and creepy techno for Charbs!
Feb 29, 2016
Welcome to D.U.C.K. Radio! Get ready for your DJs: Smooth Ramone, Hard rock Jimmy Storm (BRINING THE THUNDER!!!), Weatherman Rhet Blanket, Conspiracy theorist Smiley Fraudson, and hilarious* Maple and The Syrup (*they're not funny). This is the first part of Radio DUCK, we're bringing you ALL of the fantastic themes Gunwallace has composed for many great webcomics. You got a small, tiny, insignificant taste little taste of it in Quackcast 258, now be prepared to take the FULL blast! 29 of Gunwallace's classic themes in this cast and two more casts to go to get the rest so stay tuned. Gunwallace radio - All great music all the time!
Feb 8, 2016
Using accents and different languages in comics can be a challenge, or at least a challenge to represent. Some people will actually have their text IN a different language or even a made up language in the case of aliens, and they'll have translations in a footnote. Some will use pointed brackets to represent the different language, some will use different fonts, and some won't bother showing that there is a different language being spoken at all. We spoke to Tantz Aerine and Pitface about this because that's something they both have to tackle in Brave Resistance and Tantz's solo comic Without Moonlight because it's very central to the plot: Tantz uses different colours for the languages. Pitface phonetically represents different accents in her comic Putrid Meat quite expertly. However, there can be challenges to phonetic representation when you get it wrong, most frequently in the case of Irish and Scottish accents! This was inspired by a newspost by Hippievan! Listen ad enjoy Gunwallace's audio interpretation of Aidana. VERY Pink Floyd!
Nov 2, 2015
Yet ANOTHER Halloweenie cast! This time we used Banes' newspost for inspiration and we talk about the difference between horror, terror, and revulsion in horror themed media along with examples of that in our own comics. We dressed in costume AGAIN, this time Tantz is Zoe from her comic Wolf, I'm Jack the Ripper, Pit is a mouth-head mutant and Banes is the invisible man! Gunwallace's theme this week was for Steel and Manitou. It's a haunting cowboy, desert night, mystical piece that perfectly matches with the theme of the comic.