So I was thinking "How do I make things stand out with all my busy lines?" Unable to vary my line widths enough to make a difference, I decided to just darken entire layers. But how to make sense of that in the story context? Then I came up with the "Chase is thinking lightning fast and is -in the zone-, so the thunderous chaos around her is eerily silent (no SFX) and dark (as if she's apart from it)." LOL, it worked. Now I don't just look lazy.
Read SCORCH, a zany comic featuring a manic tyke out to reap 100 souls on All Hallow's Eve. The story is light and fast, and the author is extremely skilled in both comic storytelling and raw lineart. You won't be disappointed. Salutations, huntress of sweets and souls!
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