First
Prev
- Page Twelve
- Page Eleven
- Page Ten
- Page Nine
- Page Eight
- Chapter Three: Malegenda
- Page Seven
- Page Six
- Page Five
- Page Four
- Page Three
- Page Two
- Page One
- Page Twenty-Three
- Page Twenty-Two
- Page Twenty-One
- Page Twenty
- Page Nineteen
- Page Eighteen
- Page Seventeen
- Page Fifteen and Sixteen
- Page Fourteen
- Page Thirteen
- Page Twelve
- Page Eleven
- Page Ten
- Page Nine
- Page Eight
- Page Seven
- Page Five and Six
- Page Four
- Page Three
- Page Two
- Chapter Two: Nostalgicide
- Page One
- Page Twenty-Six
- Page Twenty-Five
- Page Twenty-Four
- Page Twenty-Three
- Page Twenty-Two
- Page Twenty-One
- Page Twenty
- Page Nineteen
- Page Eighteen
- Page Seventeen
- Page Sixteen
- Page Fifteen
- Page Fourteen
- Page Thirteen
- Page Twelve
- Page Eleven
- Page Ten
- Page Nine
- Page Eight
- Page Seven
- Page Six
- Chapter One: Undertow
- Volume One cover
- Page Five
- Page Four
- Page Three
- Page Two
- Page One
Next
Last
Author notes
Sometimes I'm afraid the universes I create take too much time to explain, this and the next 4 pages are a good example. My view of hell is based more off of meideval bosch-esque and Renniasance ideas. Give me an artistocracy of goat-heads and naked human-animal mutants over a guy painted red in a suit any day.
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