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The middle two panels were really easy to make – but the other two (and figuring out the page layout) more than made up for that. They were a huge headache. The top panel was a nightmare in terms of planning the positions of everyone and the angle. (I needed to show everyone.) The last panel makes me shudder to remember planning it, looking up references, drawing it, completely redrawing it digitally, figuring out how to color it, the lighting… (Let's just say there's a good reason this urban-set story has gone 700 pages without any cityscapes.) Both panels turned out okay, imo.

ghostrunner: Turn-about is fair play.

Jonko: Both are deadly!

Peipei: He's a hard man to love, but you sorta have to.

Tantz: Clearly he struck a deal with the writers. XD

DAJB & LanceDanger: Indeed.

amanda: Only cool people get to wear that hat – like Alex and Jeff. XD

trevoramueller: I'm currently "enjoying" the ticks. o_o

patrickdevine: Homely, man-shy, dorks only get kissed in unbearable teen-movies after goofy make-over montages. -_- Yeah, my characters outfits and hairstyles also changed a bit as I figured out how to draw. But the main reason I started doing it (esp. in terms of hairstyle) was to help delineate flashbacks from the present.

Warpedwenger: Aw, that's sweet. *Cyber-kiss* Oh dear, now I feel like a cyber-slut.

pato: Meredith probably underestimated him a little.

JustNoPoint: She prefers to *inflict* pain. ~_^ Good thugs are hard to find. Keep in mind that the syndicate probably killed off a lot of the people from the glory years.

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