It was important to me that the Joshua Brand character come off as multi-dimensional, a combination of inner resolve and a spot of insecurity, fronted by various external facades that serve to keep people at arms length. As a lot of the actual character development is conveyed in action instead of dialogue during the course of the Killing Demons story, this put a lot of onus on Brent to capture very subtle moments with the stroke of his pen.
This page in particular is a good example where we see Joshua being inadvertantly and emotionally exposed to Sarah through the act of his communion with the deceased, but reverts back to his playful facade once he collects himself after Santiago's inquiry.
Thankfully, Brent's artistic ability makes this type of storytelling possible, otherwise we'd certainly have been up a creek.
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