Here we go again, back to formulas! This time we got some external input. Fellow DDers had a say about their idea about the utility of formulas and how they use them in their writing and comics. It's important to understand formulas in writing so you know what works and why it works, it can help you in your own work. And when you need to and you've got the ability you can create your OWN writing formula. But remember: the formula is just the bare skeleton, you have to add all the meat and flesh to it with the rest of your writing, don't let the bones show through! Listen to Gunwallace's beautiful theme for Brave New World! Oh, and one last thing… HAPPY BIRTHDAY TANTZ AERINE!!!!
Hello, hello, hello! This is the second part of our hugely long expose on the tricky art of WORLD BUILDING! And it really IS extra loooooooooooog… that's because we take so much time crafting the Quackcast world for you. To recap: world-building is a big part of ALL fiction from SciFi and fantasy to your common or garden police shows or even comic strips. You create locations that have relationships with each other, characters that have jobs, families, friends, histories etc, all that is just as much world building as a fantasy world with a specific style of magic and monsters or a SciFi world with aliens and a 1000 year war. Typically, if you do your homework and set up your world nicely then it makes it easier to write stories within it, but you also have to remember not to show all that research to people in the form of big long explanations. Banes and Bravo1102 join Ozoneocean to talk about it! Listen to Gunwallace's lovely theme for Regarding Dandelions!
You always do a bit of world building in fiction, in some types of stories like alternative histories, fantasy and Sci-Fi you have to do a bit more, in things set in the real world you don't have to do nearly as much - maybe only limited to a few rooms, character occupations and relationships etc, rather than planets and political systems, but the point is you're always doing it. There are good ways to do world building and bad ways i.e. work out as many details as you need to but have that all behind the scenes, not introduced as a wall of text or long explanations on how things work. World building should inform you story and make it work seamlessly, not prop it up like a rickety scaffold. The topic of the importance of World Building was previously touched on a few years ago by Skoolmunkee and Kroatz for Quackcast 39, but things happened at that recording was lost to history, so now we approach it again with all new contributions, strident opinions, and points of view on the subject. Gunwallace did a cool theme for Red Velvet Requiem!
We've talked about formulas before, but mostly in the context of escaping formulas and reinventing them. NOW however we're talking about using existing formulas to create a story, or creating new formulas and sticking to them to come up with your stories. Formulas can be a good tool to write with, along with their close sibling “the trope” they take elements that are proven to work and stick them on a solid framework for you to more easily create your story around. All you need to do is plug in your characters and situation and see how it all fits. Formulas are comfortable for people and make it easier for a writer to structure their story faster AND in a way they know should appeal to people. Enjoy Gunwallace's lovely theme for Rismo!
Tantz and Pitface join Banes and Ozone to talk about comic book stores and the experience of going into them… Yes, that's right: webcomicers actually going into REAL bricks and mortar places that sell comics printed on PAPER! o_O It turns out that none of us really do that anymore for various reasons and we all have different recollections of going to cimicbook shops in the past. We also recount the experiences of other DDers who've described their comic buying adventures. Check out Gunwallace's haunting and desolate theme for the comic No Future, Vanish In Time.
This time we're talking about conflict in webcomic writing, and any writing in general really. Conflict is one of the main drivers of a story, so you pretty much have to have it in there somewhere! But how do you approach it? Do you set it up really carefully or just put a bunch of volatile characters together and see what happens? I think for a lot of us we don't think too much about the science of our conflicts, rather we approach it artistically and develop things by feel and instinct because conflict is such an intrinsic trait. But understanding how you use it can be very useful when you're writing satisfying resolutions and climaxes. A good understanding of the types of conflict in your story is also pretty essential when you're writing a good comedy (it's a great source of humour!), and also when you're explaining or selling your work to the public: It's all very well to chat about your clever setting and your funky characters, but conflict is the reason they're IN a story to begin with and that's really what will get people wanting to read out it. I hope you enjoy Gunwallace's great porn style music type theme for Tales of Two Tiny Titty bars!
Webcomicing is a learning process, you build on your knowledge and skills as you go, comics can take years to complete and your audience is usually pretty forgiving… Well learning is all about making mistakes and if you're like the people who contributed to this Quackcast, you make a hell of a lot of them! But hopefully you learn from them, or even better; learn from the mistakes of others. That's what this Quackcast was all about; sharing your biggest webcomicing mistakes. None of us are immune to them. They can be borne of hard to break bad habits, lack of experience or skill, or just plain stubbornness. If you make any that you'd like to tell us about, just share them in the comments bellow. I hope you'll enjoy the lovely Dance of the Sugarplum Fairy/Harry Potter-esque style musical theme for Wizarding Along The Way by Gunwallace!
In this Quackcast I interrogated Mr Banes on the subject of his first newspost: Contrasts. It's a subject near and dear to him, even his comic "Typical Strange“ has its name based on the concept, i.e. two words with the opposite meanings put together to create an effect. In imagery contrast is used to make darker shapes appear darker and lighter shapes lighter and to create a tension where those areas meet at the penumbra. In writing and comics it's much the same, ”laughter and tears“, ”good and evil", a sad scene contrasting with a joyous one etc. Contrasting makes both contrasted elements appear far greater than they really are, as well as serving as a source of tension, conflict, or humour. Banes and I talk about this in a rambling fashion. Gunwallace has a special treat for us today with a brilliant theme for Dead Leon! You'll want to ask him for a copy of his one ;)
Today Banes and I talk about the subject of fan service in comics (and other pop-culture). This Quackcast was inspired by a newspost by HippieVan of that same title. We're helped in our discussion by the really interesting contributions of many smart people on DD… that we read out in High-larious voices! Is fan service a good thing? How do you think about it in stuff you read and see? Do you put it in your own work? Why? Why not? These were some of the things we talk about on the subject. Also, catch Gunwallace's great theme for Grueson!
For Quackcast 224 I've asked Kevin Hayman back again (KOTA's world, Mailbox Rocketship, Erant Apprentice), to regale us with his Owen Wilson stylings… But seriously, the topic is "finding your own voice in writing", i.e. learning not to imitate your hero's, move beyond that and write in your own style. Kevin is a really funny and interesting guy who's been doing webcomics for many many years since the very earliest days of Drunk Duck and he has some great insights to impart on "finding your own voice". You can also catch KOTA at the Mississippi comic con this weekend! -Enjoy Gunwallace's lovely, creepy musical take on our featured comic, Restless.
On today's Quackcast I, the marvellous Ozoneocean am speaking to the equally marvellous Trevor Mueller of Albert the Alien! This fine chap is returning to the Quackcast (was on Quackcast 184), to chat with me about the process of collaborating from the point of view of a writer who's working with an artist. Trevor also he another Kickstarter for the second volume of Albert the Alien out now so please consider contributing to that. Trevor is a highly acclaimed writer of a fantastic and funny all ages comic and his artist on Albert the Alien, Gabriel Bautista, is an award winning successful comic creator in his own right. Trevor brings a LOT of experience to the topic of collaboration. Catch the great theme for The Ink by our very own Gunwallace!
Ozoneocean and Banes Ramble On (https://www.youtube.com/watch?v=q-EakzxmO-o) about Ozoneocean rambling on while they catch up after a long three week break since Ozone has been in Greece with Tantz Aerine and Pitface, and then Serbia while Banes and Bravo were plotting to take over the Quackcast. After they caught up we chatted about various pop-culure things like Mad Max Fury Road, Babbadook, Brooklyn 99 and more. As a sort of treat there are some pics of Ozone, Tantz, and Pit here: http://www.theduckwebcomics.com/news/2015/jun/08/quackcast-222-time-to-ramble-on/
Banes is home alone in the studio this time while Ozoneocean was away gallivanting around the globe… he's joined by intrepid security guard Bravo, who saves him from a fate worse than death. Together they chat and gabble away about things and stuff, primarily inspired by the topic “Why do you do a webcomic?” Together they manage to find out. Reading the contributions of many fine DDers really helped along with that though! Gunwallace provides a great theme for Clockwork Atrium too!
Hello from Belgrade in Serbia! This Quackcast was recorded 3 weeks ago and I am currently in Europe, though I'm still writing this from Perth Western Australia 3 weeks in the past… So in this particular Quackcast you get to hear ME Ozoneocean, Banes, Bravo1102 and Tantz Aerine (who I visited in Athens last week), chat about the process of creation! Creation is a topic very close to the heart of all webcomic creators and the four of us try and explore all aspects of it with the help of some very wise people on DD. The music for this week is Gunwallace's them fro The Temple at 50 Fathoms, a comic by Skreem, SO if you like a hyper dance club sound, you better strap on your dancin' pants when you listen to this one!
And now for the last in our series of questioning just what makes characters sexy and/or attractive! We have more interesting contributions to read from and delve into but we thought we'd stop for now so we don't waste all our sexiness in one go. Banes and Ozoneocean are being attractive this time, while PitFace and Tantz Aerine are the sexy ones, a role which they approach with gusto. The subject of the essence of sexiness proved to be contentious and surprisingly complicated! The music we have by Gunwallace this week is the theme for Johnny Bullet- it's a sexy 1970s theme with lots of “chicka-wa” guitar.
