Sune

Author notes

Sune #3 - Ties: Page 12

rainingbells

on March 19, 2007

The Push is always a pain in the ass to draw (especially when it's a large panel), but I like the visual. It took a bit of tinkering to figure out a design for black and white that would illustrate the tides and energies that reside in something like hyperspace, but I think the final look works.

Speaking of looks, I try to make sure that, visually, the corporate side of things have a cleaner, slicker look when it comes to the settings and clothes. Suits and ties, floors with a high shine, well-lighted, large open spaces Vs. the old, worn, claustrophobic and darker areas in which people like Sune and Lacey reside.

I'm very mindful of the appearance of things. I usually have some kind of deeper reason behind why people and things have certain looks. Not to mention, I usually stick things in the background ten, twenty, maybe even a hundred pages before I'll use or reference them.

I hate it when things appear out of nowhere.