I'm floored by CO's sense of depth and mood. While the fact that CG & photo models are obviously imployed, the art is rendered in such a skillful way as to minimize the sense of stiff, lifelessness this type of art is normally cursed with. The color theory is just plain astonishing, and the emotional appeal of the art is jaw-dropping.
Makes me jealous…
Later,
Chip
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Terran Sandz: I really like the line work on this comic. The gray-scale shading also gives it a manga-book feel, even though the artwork is very western. The entire package looks like pure quality.
Broken Things: The line work in this comic is very different, and so is the grayscale. However, it works well here too, creating a different sense of atmosphere and attitude. The characters are very smooth and soothing to look at. The shading reminds me of sitting under a tree, and makes me feel very tranquil.
Dead: Another very different art style on here. The cross hatching and dark shadows completely create a different sense of atmosphere from the previous two comics. The zombie looks menacing and scary. The fact that the images are so much darker really help this comic to stick out from your other ones.
All have very different - but very great - line work to them, and all have very unique styles.
I've been following "The Temple of a Thousand Tears" on DD from the start. The story only begins to unfold, but it looks promissing. The artwork is classic black & white, with soft shading here here and there. The only color used once in a while is red - which looks really great, especially in some fight scenes. Some brutal fight scenes, I might add. Trevor does a great job on the faces, especially the main character's - who looks like Sully Erna from Godsmack to me.
Also, I just noticed the title consists almost exclusively of words starting with a T. Me likey!
Man, I really wish you updated A Bit Cheesy more often. You have a real knack for simple colors and effective lighting and I like how most of the dialog is done through a sort of disembodied narration style. We rarely see the main characters but the different images on the panel speak in a more symbolic manner than the mice actually speaking.
Human City: I like the gray scale, and the way you draw faces.
Gavin Smith Sketchbook: Good scenery shot on the beach. I'm curious what you're trying to say with this shot. The film interpretation part of me wants to draw several messages from this shot, and it's a nice compelling image. Very bold.
I like how both of your comics seem different from each other, yet are from the same artist. Temple is very sketchy and grayed out, but shows lots of emotion behind the monotone gray color. Asshole, on the other hand, is quite colorful and more full than the former comic. Overall, very nice comics, and showcases your talent at variety.
Well what can I say about SwiSFHWBTBaTTLAPWNiEWISOADtDBBTIWHiTKP… Well the title's abbreviation is longer than the name of most foreign countries' diplomats. And it's awesome. The art is genuine and unique and I personally love everything about it down to the fact that it's a joint project. Funny, interesting, and albeit at times a bit confusing. It's a great comic and an awesome way to follow up LAX with another great hit.
Okay, I think my new favorite line of all time is "When do we have 'the sex'?" Absolutely hilarious!
This comic is pretty damn funny, just clicking on a few pages. I'll have to check out your archive. I'm a gaming nerd, so hopefully I'll get most of the jokes!
Temple just updated today. The swordsman attacks the Tojin, Marielle. More detail in the characters on this page.
Ahhh yes, The Temple of a Thousand Tears. This comic is so lovely. I've always been a fan of pencil art, so I'm a little biased, but still. You convey emotions really well and it's just staggering. The fact that I can also read the talk bubbles are also a good thing (since sometimes people make really bad talk bubbles). Your comic panels are well placed and organized and everything goes in order.
I like.
I don't really get "sprite" comics really, but am interested in the process. Compared to other ones I've seen this one is a lot cleaner and I like that this isn't a clusterfuck of information packed into a small panel.
Like I said.. I'm sort of interested in the process and would love to know. Send me a PQ! Thanks.
^i kinda dig your comic Valid Soul! it might be a sprite comic but it has alot of dynamic poses which realy makes it stand out, the fonts and the lettering in itself are realy wel done and i can see that you put some time in that as well ^^ i haven't been able to read much, but i like it how there are OC's and character from games involved in the story.
Only some panels and pages seem a little to dark to actualy see the characters or whats going on, i suggest trying to add a white line around your char to let it stand out of the background (very commen in manga ;D) but thats up to you, but you got a good concept here!
^i love the art style of your comic, it has flowing and easy lines, but in contrast to that there is a very detailed background. I do prefure the pencil art rather then the pixal like art you use on the characters. but that is my personal opinion, i also love the blunt use of hars language XD this is an awesome comic, keep it up ;D
EDIT: i didn't see that you had so much comics XD i was talking about "somewhere in SF"
What would happen if a new sheep came to the herding place and tried eating grass - only to discover it hates it? What if it realized there's better food - not to mention a whole big world out there? And what if the other sheep listened? Looks like we're gonna find out thanks to Aqua Les Paul - a comic with nice artwork, a strange title and a very cool logo (yes, I'm a sucker for cool logos)
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